I am very interested in fashion and the reason why I haven’t posted anything related to fashion so far is because I was waiting for the right moment, and here it is, London Fashion Week. Organised by the British Fashion Council, LFW ranks alongside New York, Paris and Milan as one of the ‘Big Four’ fashion weeks, and its considered a big deal for fashion lovers worldwide.
Every year, I enjoy watching all four different fashion weeks, from online live streaming and youtube as well as reading different articles and interviews of the designers. This year, I got the chance to attend a fashion show, and more specifically, Mary Katrantzou’s runway collection.
Mary Katrantzou was born in Athens, Greece. She studied at Rhode Island School of Design and completed both her BA and MA at Central Saint Martins in London. She has previously worked for Sophia Kokosalaki and freelanced for Bill Blass. Mary received the prestigious Swiss Textiles Award in 2010, and in November 2011 she was awarded the British Fashion Award for Emerging Talent in Womenswear. In February 2012, Mary was awarded Young Designer of the Year at the Elle Style Awards, and was also awarded Designer of the Year at the British Fashion awards 2013. At this year’s British Fashion Awards, Katrantzou is nominated for the New Establishment Award.
Mary Katrantzou is well known for her famous complex prints. Her architectural,background is apparent in the shapes of her designs. ‘Her thematic collections revolved around an icon of luxury, looking for the filtered beauty within it; an object from art of design that a woman would not be able to wear if it were real”. In that way, she has created her own, signature style; something that is new and innovative and people like and appreciate for its unique and intelligent style. “Each print is designed around the garment, and the garment around the print”
Even though the designer has become synonymous with her signature digital prints, for her fall-winter collection 2014, in my opinion, she took her designs to the next level. Her collection included super sleek silhouettes, pleated maxi dresses and metallic suits. Her inspiration came from the idea of uniforms and the symbols used on them from her designs decorations.
She was also inspired by everyday wardrobes, from boy scouts to bakers and bankers. Texture was a main component of her collection, with symbol-shaped brocades, chain mail, and pleating. Monochrome landscapes were inspired by turn-of-the-century black/white photography.
What I specifically loved about her collection, was some of the fabrics she used that were so beautiful and complex in their construction, over printings, bondings and embossings. She applied graphically urban scenes to soft knitwear creating beautiful and dreamy garments.
After her work was showcased in London’s fashion week, some people commented that her collection was hard to ‘love’, because of the flat angular shapes that looked very difficult to wear, and also because of the lack of her signature designs and colours, In my opinion, her collection was the exact opposite. In comparison to her previous collections, this one is definitely easier to wear, as she uses many different materials, and includes many pieces with simple shapes and less colours. Moreover, in her collection you can see a big variety of, prints, shapes, textures and colours, which makes it easier to wear and also more likely to appeal to a larger audience.
I simply loved her collection, her colours, textures and innovative prints and materials. I don’t know whether I left the show feeling that enthusiastic because it was my first experience in fashion week, or because I was feeling proud since Mary is Greek like me. But either way, it was a perfect evening and her collection just makes me excited to see what she’s going to present next.
Thank you for reading,